Battleship potemkin essay

Kino-eye, composed of various newsreel correspondents, editors, and directors, also took indirect aim at montage as the overarching principle of cinema. Kino-eye was interested in capturing life of the proletariat and actualizing revolution, and was accused by Eisenstein of being devoid of ideological method. Films like Dziga Vertov’s The Man with a Movie Camera utilized montage (almost all films did at the time), but packaged images without discernible political connection between shots. Vertov, on the other hand, saw the fictional revolutions represented in Eisenstein's films as lacking the visceral weight of unscripted action.

These same debates can be applied to another of Bacon’s pictures at the 1949 exhibition, Study for Portrait (see below). There are however two important differences compared with Head VI . The man is dressed in a jacket and tie as distinct from papal robes and, unusually for Bacon, there appear to be the shadows of two onlookers in the foreground. The figure is therefore a more formal one and doesn’t possess the isolation that one thinks of in connection with Bacon’s heads and portraits. Later observers noted that in this image, Bacon had prefigured the box-like structure that contained Adolf Eichmann in his trial of 1961.

But it suffers when it is seen apart from its context (just as “The Graduate,” by striking the perfect note for 1967, strikes a dated note now). It needs the right audience. In a sense, the band Concrete supplied a virtual audience; the loud, passionate, ominous music by the three young musicians worked as an impassioned audience response does, to carry and hurry the other watchers along. “Battleship Potemkin” is no longer considered the greatest film ever made, but it is obligatory for anyone interested in film history, and the other night in that small-town parking lot I got a sense, a stirring, of the buried power it still contains, awaiting a call.

Top ten lists should be relegated to the David Letterman show. “These are the best ten thingies of all time.” If they really are, then, without new evidence to change opinion, why does the list change?nnAnswer: Because it gets a page views. Even, or maybe especially, by people like me who think they are , to the person asking why comedies never make the top lists; comedies make you smile and feel good, critics seem to believe art should wake the hidden sorrow you have buried deep inside. Yeah, we REALLY need to get more in touch with that. Too much joy in the world otherwise.

Battleship potemkin essay

battleship potemkin essay

Top ten lists should be relegated to the David Letterman show. “These are the best ten thingies of all time.” If they really are, then, without new evidence to change opinion, why does the list change?nnAnswer: Because it gets a page views. Even, or maybe especially, by people like me who think they are , to the person asking why comedies never make the top lists; comedies make you smile and feel good, critics seem to believe art should wake the hidden sorrow you have buried deep inside. Yeah, we REALLY need to get more in touch with that. Too much joy in the world otherwise.

Media:

battleship potemkin essaybattleship potemkin essaybattleship potemkin essaybattleship potemkin essay